“Scroll down to the end of the article to listen to music.”
Introduction
There’s something deeply nostalgic about hearing George Jones croon “The King Is Gone (So Are You).” It transports you to a time when Jones was the undisputed king of country music, a poignant reminder of both his enduring legacy and the personal stories that music can evoke. This song, released in the twilight of his career, is a testament to his ability to blend humor and heartache seamlessly.
About The Composition
- Title: The King Is Gone (So Are You)
- Composer: Ronnie Scaife and Gerald W. Smith
- Premiere Date: 1989
- Album/Opus/Collection: One Woman Man
- Genre: Country
Background
“The King Is Gone (So Are You)” was part of George Jones’s 1989 album, “One Woman Man,” marking a significant period in his career. By this time, Jones had already cemented his status as a country music legend. The song itself is a whimsical yet poignant reflection on loss, using the metaphor of Elvis Presley, the King of Rock and Roll, to draw parallels with the singer’s own feelings of abandonment. It was well-received, resonating with both Jones’s long-time fans and a new generation discovering his music.
Musical Style
This song is quintessential George Jones, featuring his rich, emotive voice that conveys a profound sense of longing and resignation. The arrangement is classic country, with twanging guitars, a steady rhythm section, and subtle background harmonies. The simplicity of the instrumentation allows Jones’s voice to take center stage, highlighting his storytelling prowess. The song’s structure is straightforward, with verses that build up to a memorable chorus that stays with the listener long after the music ends.
Lyrics/Libretto
The lyrics of “The King Is Gone (So Are You)” are both clever and heartfelt. They weave a narrative of a man dealing with the aftermath of a breakup by reminiscing about the King, Elvis Presley. The song uses vivid imagery and witty wordplay to juxtapose the grandeur of Elvis’s legacy with the protagonist’s personal grief. Lines like “Last night I broke the seal on a Jim Beam decanter that looks like Elvis” blend humor with melancholy, showcasing Jones’s ability to find light even in sorrow.
Performance History
Since its release, “The King Is Gone (So Are You)” has been a staple in George Jones’s repertoire. It has been performed live numerous times, each rendition highlighting Jones’s vocal strength and emotional depth. The song has been appreciated by audiences for its relatability and the unique way it addresses heartache through a cultural icon like Elvis Presley.
Cultural Impact
The song stands out not only in Jones’s catalog but also in the broader context of country music. It exemplifies the genre’s tradition of storytelling, using personal and cultural references to create a relatable narrative. The song has been covered by various artists and remains a favorite on country music radio, often included in tributes to both George Jones and Elvis Presley.
Legacy
“The King Is Gone (So Are You)” continues to resonate with audiences today, reflecting the timeless nature of Jones’s music. Its blend of humor and heartache ensures that it remains relevant, evoking a sense of nostalgia while still speaking to contemporary listeners. The song is a perfect example of Jones’s enduring legacy as one of country music’s greatest storytellers.
Conclusion
Reflecting on “The King Is Gone (So Are You),” one can’t help but appreciate George Jones’s unique ability to turn personal sorrow into a universal story. This song is more than just a tribute to Elvis; it’s a testament to Jones’s mastery of his craft. I encourage you to explore this track further, perhaps starting with a live performance that showcases the full emotional range of Jones’s delivery. Whether you’re a long-time fan or new to his music, this song is sure to leave a lasting impression.
Video
Lyrics
Last night, I broke the seal
On a Jim Beam decanter that looks like Elvis
I soaked the label off a Flintstone Jelly Bean jar
I cleared us off a place on that one little table
That you left us
And pulled me up a big ole piece of floor
I pulled the head off Elvis
Filled Fred up to his pelvis
Yabba-Dabba-Doo, the King is gone
And so are you
‘Round about ten we all got to talking
‘Bout Graceland, Bedrock and such
The conversation finally turned to women
But they said they didn’t get around too much
Elvis said, “find ’em young” and Fred said “old-fashioned girls are fun”
Yabba-Dabba-Doo, the King is gone
And so are you
Later on it finally hit me
That you wouldn’t be a-comin’ home no more
‘Cause this time I know you won’t forgive me
Like all of them other times before
Then I broke Elvis’ nose
Pouring the last drop from his toes
Yabba-Dabba-Doo, the King is gone
And so are you
Yabba-Dabba-Doo, the King is gone
And so are you
Last night, I broke the seal on a Jim Beam decanter
That looks like Elvis
I soaked the label off a Flintstone Jelly Bean jar