“Scroll down to the end of the article to listen to music.”
Introduction
“Murder on Music Row” is a poignant and nostalgic song performed by country music legends George Strait and Alan Jackson. This song, which criticizes the commercialization of country music, resonates deeply with fans who cherish the genre’s traditional roots. Released in 2000, the duet became a significant anthem for those advocating the preservation of classic country sounds against the encroaching influence of pop elements.
About The Composition
- Title: Murder on Music Row
- Composer: Larry Cordle and Larry Shell
- Premiere Date: 1999
- Album/Opus/Collection: Latest Greatest Straitest Hits
- Genre: Country
Background
“Murder on Music Row” was originally recorded by bluegrass artist Larry Cordle and Lonesome Standard Time before George Strait and Alan Jackson brought it to mainstream attention. The song’s lyrics lament the diminishing presence of traditional country music in Nashville’s music industry, symbolically referred to as “Music Row.” It gained popularity during a time when the lines between country and pop music were increasingly blurred, speaking to a longing for the authentic sound of classic country.
Musical Style
The musical style of “Murder on Music Row” is characterized by its traditional country instrumentation, including strong acoustic guitar lines and fiddle elements. The song’s arrangement is straightforward yet effective, allowing the poignant lyrics to take center stage. The harmonious blend of Strait and Jackson’s vocals adds depth and authenticity, reinforcing the song’s nostalgic tone.
Lyrics/Libretto
The lyrics of “Murder on Music Row” serve as a critique of the music industry’s shift away from traditional country sounds. It mourns the loss of heartfelt storytelling and authentic instrumentation, replaced by commercialized pop influences. The song’s narrative is a heartfelt plea to preserve the cultural and artistic integrity of country music.
Performance History
George Strait and Alan Jackson’s performance of “Murder on Music Row” at the 1999 Country Music Association (CMA) Awards was a memorable moment, bringing widespread attention to the song. Their rendition was celebrated for its sincerity and the duo’s chemistry, earning them a Vocal Event of the Year award. The live performance solidified the song’s status as a modern classic.
Cultural Impact
The cultural impact of “Murder on Music Row” is significant, as it sparked conversations about the direction of country music. It resonated with traditional country fans and artists who felt marginalized by the genre’s evolving landscape. The song has been referenced in discussions about the genre’s identity and continues to symbolize the tension between commercial success and artistic authenticity.
Legacy
Today, “Murder on Music Row” remains an enduring anthem for country purists. It is frequently cited in debates about the genre’s evolution and serves as a reminder of the importance of maintaining the integrity of country music’s roots. The song’s message continues to resonate with new generations of artists and fans who advocate for the preservation of traditional country sounds.
Conclusion
“Murder on Music Row” by George Strait and Alan Jackson is more than just a song; it is a powerful statement about the preservation of musical heritage. Its timeless message and authentic sound make it a must-listen for anyone interested in the history and future of country music. I encourage you to explore this track and reflect on its impact on the genre.
Video
Lyrics
George Strait & Alan Jackson
(George)
Nobody saw him running from sixteenth avenue
They never found the fingerprint or the weapon that was used
But someone killed country music, cut out it’s heart and soul
They got away with murder down on music row.
(Alan)
The almighty dollar and the lust for worldwide fame
Slowly killed tradition and for that someone should hang
(George – You got that right buddy).
Well, they all say not guilty, but the evidence will show
That murder was committed down on music row.
Chorus: (Both)
For the steel guitars no longer cry and fiddles barely play
But drums and rock ‘n roll guitars are mixed up in your face
Old Hank wouldn’t have a chance on today’s radio
Since they committed murder down on music row.
Ah, tell it boys
— Instrumental —
(George)
They thought no one would miss it, once it was dead and gone
They said no one would buy them old drinking and cheating
songs
(Alan)
Well, there ain’t no justice in it and the hard facts are cold
Murder’s been committed down on music row.
Chorus: (Both)
Oh, the steel guitars no longer cry and you can’t hear fiddles play
With drums and rock ‘n roll guitars are mixed right up in your face
Why, the Hag, he wouldn’t have a chance on today’s radio
Since they committed murder down on music row.
(Alan)
Why, they even tell the Possum to pack-up and go back home
(Both)
There’s been an awful murder down on music row…